bronze sculptures

Insect Art Sculptures - Stag Beetles by Martin Pierce

We are focusing some of our design and casting energies on smaller terrestrial creates that arguably take on an extra-terrestrial persona when they are portrayed as larger than life subjects.

Beetles and in particular stag beetles have been inspiring awe in Martin Pierce since his early childhood but only now is he able to capture their majesty in bronze. The first sculpture of 2 fighting stag beetles was completed in the late 1970’s when Martin carved a pair in Ebony, a very hard wood that can be polished to a high sheen.

Stag beetles are part of the Lucanidae family of beetles of which there are several hundred different types. The stag beetle that Martin saw in England was probably the Lucanus Cervus so named for it’s very large mandibles that clearly reminded early botanists of stag antlers. The stag beetle is aptly named and like the male deer the mandibles are used like antlers to establish male rank and priority in everything from mating to food to territory.

The bronze beetles that from part of Martin’s collection of art works were loosely modelled on the Japanese Miyama stag beetle. The original pattern was carved in wood and 5 molds were made for the head, body, left and right legs and antennae. As the 6 legs (3 left,3right) are separate castings this allows Martin some leeway in how he welds and positions the feet and enables him to create a more animated sculpture.

bronze-sculpture-limited-edition-Stag-beetle-front A.jpg

The size of the sculpture 20” (from antler to toe) and the polished patina on the bronze metal allow the ridges and indentation of the wing casings and knuckles of the legs and serrated jaw bone to be appreciated as both tactile and visual experiences.

Carving made easy - Raven sculpture video

The title of this post is very much tongue in cheek as this observer and videographer can attest. I have in recent years carved the occasional textural detail on furniture pieces that our company makes but confess that these were mere chips of wood removed with minimal precision to create an interesting tactile surface and not an example of fine wood carving.

For the carvers who may be reading this the major shaping and removal of large areas of wood was done with either a large flat gouge or a flat pairing chisel. The large feathers were carved with a “V” tool and pairing chisel. The small feathers were created with various different shaped gouges which were pushed down into the wood and around the edge of the feather to create a vertical wall and small pairing chisels were then used to remove the tops of the abutting feather to create a step. Describing Martin’s carving was far more difficult and far less informative than making and viewing this video.

Ravens at Big Bear Alpine Zoo

The Raven sculpture is now taking shape as Martin develops a clearer understanding of this magnificent bird’s wing movement, body stance and general proportion. Having tentatively decided to sculpt a male in pre-flight position,  a visit to the Big Bear Zoo is making him question if this is the pose he wishes to capture as a sculpture.

Finding a live accessible raven has been a challenge as our local Los Angeles zoo could not help. However, the zoo at Big Bear next to Snow Summit has 2 pairs of ravens and we were allowed to freely photograph them. Day one proved frustrating as neither pair was in the mood to be photographed but on day two we were able to take some beautiful shots of their head profiles, plumage and talons.

Raven Profile

Raven Profile

The zoo is well worth visiting and is just over 2 hours by car from Los Angeles and offers a wonderful range of animals including timber wolves, raccoons, coyotes and 2 snow leopards. As they state on their site ” The Big Bear Alpine Zoo is a rehabilitation facility offering injured, orphaned and imprinted wild animals a safe haven, temporarily while they heal, or permanently, as they are unable to survive on their own. We are extremely proud that 90% of all the animals brought to us for rehabilitation are successfully released back into their native environment.”

Plumage and back talon detail

Plumage and back talon detail

Equipped with a better understanding of these 4 ravens Martin will turn his focus back to his drawing board to decide what changes he will make to his initial concept drawings.By year end we hope to have a new bird sculpture to add to our collection of bronze sculptures.

New Raven Sculpture Takes Shape

Following on in the quest for a perfect raven sculpture Martin has drawn his intended subject side on and full scale at 22” from tip of tail to tip of beak.  Using old school techniques to maintain the bird’s proportions he drew the raven on a 1” size grid and then increased the grid to 2” to achieve the correct size. While this could have been done in photo-shop with a grid tool, the size of the piece would have made it cumbersome.

He will now need to draw the front elevation, plan and top view so that he can correctly show the leg stance and wing position and capture the birds pre-flight position with the wings slightly apart.

Finding a captive raven to study for the other elevations has not been easy but we have found 4 ravens who are residents at the Big Bear zoo so will be travelling there soon to get some footage for the next stage.

Martin will be carving the raven in basswood which is a tight grain but relatively soft easy to carve hard wood. At this point he plans to carve the bird as whole sculpture to ensure its correctness from all elevations. Once it looks correct and mindful of the cost of and weight of bronze he will then cut the sculpture down the middle so that he can carve out the center and thus make the sculpture hollow.

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An inspiration takes form as Martin works on a sculpture

We have mentioned numerous times on this blog of how inspired Martin is by beetles, moths, lizards and other creatures, along with their unique habitats.  This is evident in many of the bespoke hardware designs found in our collections. One of the most fascinating creatures are beetles.  We have studied many of them and even owned a pair of Hercules Beetles we fondly named Boris and Natasha.  While they are no longer with us, they did provide Martin with a great deal of information as to their form and lifestyle and he has begun working on a one-of-a-kind sculpture partially inspired by the study of Boris and Natasha.

Martin is making a large sculpture of 2 fighting stag beetles. The concept came from a piece he did many years ago in England.  He carved this piece out of ebony as this wood is close in color to the stag beetle and also, because at this point in our careers we had neither the money nor the audience to sell such art pieces cast in expensive bronze. It is our hope that there may now be an audience for a bronze sculpture such as this.  The current sculpture is of 2 stag beetles in battle on a large piece of bark.  One problem we have encountered was how to cast the bark.  We thought we could actually use a nature made piece so we went in search of a suitable tree.  We have an amazing Pepper tree in our front garden but could not use it without fear of damage. So we got in contact with our arborist ----- Victoria Monson and her husband Daryl of C.O. Arboritsts and they very kindly offered to keep us posted of any suitable trees they were felling. So when a large oak was marked for felling Martin drove to Pasadena and chose the best section of trunk to use as a pattern for the bark sculpture.

The photos follow the process of preparing the tree trunk, shaping it so that it could be used as the pattern for the bark sculpture.  Normally Martin would actually sculpt his patterns from "thin air" as his creative imagination came to life in wax or wood. But since there is a lot of beautiful bark available he decided to manicure an actual tree trunk.

In order, these photos show how he chose the section and then chiseled it to essentailly form a trench. The next step was to make a barricade around the recessed trench by nailing strips of wood to form an outer wall and the last photo shows how the trough was filled with clay to make this area level.

Selecting wood piece to prepare for sculpture photo by Martin Pierce Hardware Los Angeles CA  90016

Chiseling wood trench photo by Martin Pierce hardware Los Angeles CA  90016

Nailing surround to create barrier to hold clay photo by Martin Pierce Hardware Los Angeles CA  90016

Adding clay to create level area on wood sculpture photo by Martin Pierce hardware Los Angeles, CA  90016

The next step in the sculpting process will be preparing the mold...

To view our entire collection of architectural hardware or custom bronze sculptures, please visit our site at www.martinpierce.com.

Designers can visit the showroom located at:

5433 W. Washington Blvd.

Los Angeles, Ca  90016

323 939 5929