Discussion about learning art techniques

We are pleased to share a recent interview between Martin Pierce and Aaron Miller at Canvas Rebel.

Aaron structured the interview around 3 areas: learning and developing skills, pivotal moments in Martin’s career and unlearning habits or traits.

These questions allowed Martin to take a step back and look at his life in a more analytical way and helped prevent the interview from becoming cliched.  My role as ghost writer was to articulate this journey in a clear but expressive way. Our creative friend, Maria Ramirez Adams photographed Martin and several of his works at his studio and the framing of these shots gave the piece color and context.

The article can be read in full at Canvas Rebel’s site and the quotes below are intended as a primer.

Photograph Courtesy of Maria Ramirez Adams

Learning to unlearn

“As an apprentice wood carver, I learned to carve quickly and precisely, skills that made me a useful employee but also a prolific artist. I have had to learn to create with purpose and to understand that if my art is channeled into a business, I am not an untethered free spirit but must consider why one design versus another is worth making”

Learning skills

“The learning curve has been long … I was always interested in nature and enjoyed physical work but being dyslexic, I found studying a real pain. My school had 3 good courses, art, woodworking and metal work. I was drawn to woodworking and began carving at 12. I don’t think it makes sense to look back and over analyze wrong turns or wish you had done things differently.”

Current Focus

“Is the insect story I am creating in bronze and steel, and this is where I have a lot of fun. The plot line involves small insect loving humanoids who co-exist with large insects and together build houses and even compete in the annual insect race.”

Photograph Courtesy of Maria Ramirez Adams

One Feather At A Time - The Raven Sculpture Journal

Continuing the journal of Martin Pierce’s Raven sculpture. 

Following his visit to Big Bear where he was able to see  raven’s up close Martin decided he needed to change the pose of his sculpture to show the raven cawing with his beak open and throat puffed to make the distinctive sound raven’s use when declaring their territory or courting.

Once captured in pencil, the raven’s 3  perspectives  were outlined onto rough wood blocks, one for each section of his body. In deciding  how to sectionalize the raven’s shape Martin had to reverse engineer the sculpture by determining how the bronze would eventually flow, where the  gates for the bronze could best be added and where thereby the bird could best be sectioned.

Constructing and de-constructing a Raven for lost wax casting

If Martin had been intending to make only one wood sculpture he would have chosen a wood with more character than basswood and would have sculpted the bird from one block of wood rather than several pieces. However, as this sculpture will be used to create several molds for lost wax casting the sculpture was made so that it could be de-constructed.

The raven will be cast in bronze and will be available as a limited edition. The raven will join his feathered friend the scrub jay in Martin’s collection of bronze sculptures, which as well as portraying birds also portrays insects in fictional settings.

Process of making A New Grapevine Door Knob

The grapevine door knob continues to evolve.

It started out as a pencil sketch and then was “fleshed out” in a series of perspective drawings so that its scale and appearance could be assessed. Once all the angles were mapped out Martin began carving the pattern in basswood, which as any wood carver knows is an  easy to carve dense soft wood, perfect for carving fine detail and perfect for pattern making as it is a somewhat bland wood with almost no grain or color. The only real drawback to basswood comes from its lack of color which makes imperfections difficult to spot, so Martin sprays his patterns with grey primer thereby rendering them visible.

See the Complete Grapevine Collection

Once perfected, two rubber molds are created, one for the body of the door knob and one for the stem of the knob. Each mold is made in 2 halves that can be pulled apart after the wax has been poured into the cavity of the mold. The 2 halves of the mold are keyed to each other by creating a male and female rubber junction, that way the mold will continue to align properly over a long period of use.

The mold is then used to create a wax facsimile of the pattern. There are a large number of waxes to choose from and their pouring temperature, cooling time, density and pliancy are all factors that play a role in deciding which will work best for a given piece. The red wax shown here is a softer more pliant wax that has a low meting temperature and works well for gravity pouring but is less suited to molds where the wax is to be injected.

Red wax facsimile of wood pattern

The next stage will be to shell the wax and eventually we will invest the shell with molten bronze, so stay tuned for the next installment.

Anatomy of a bronze door handle-part 3

Whew!  I am tired just reading about this lengthy process.  But excited about the outcome! Onward... now that we have “lost” the wax that melted out we are left with a hollow shell with the ceramic gates or funnels.  Try to envision a hollow wall around the body of the bird that we are now going to fill with molten bronze.

We will pour the molten bronze into  the shells and, once cooled, we are left with castings. The gates will have been turned to bronze and will need to be removed.  In the photo you can see the flat areas on the body and feet that are a result of the gates being removed.

These areas are ground off leaving behind a scar or rough section that will require further grinding to smooth them out.  The details such as the vein of a wing will have to be "chased" or added by hand.

In the next photo we show the top side of the casting before the piece has been assembled.

This beautiful representation of the magnificent jay hawk can be modified for use as entry door handles or hung on the wall and enjoyed as a wall sculpture.

To view our collection of architectural hardware, sculptures and custom furniture, visit our site at www.martinpierce.com.