What determines the direction of a door handle

For many the question of a door handles direction is seen as a question of door handing and not a question that has much to do with design and possibly whimsy.  While it is true that the handing of a door lever is determined by the location of the doors hinges this need not always apply to door pulls or door grips. The answer is further complicated when the designer, in our case, Martin Pierce has a keen sense of what is correct from a natural perspective. This recently came up in a conversation with James Cunningham a photographer who we recently worked with to enhance the background of our Morphic Scroll door pull. The scroll pull is clearly a vertical pull but the curved grip can just as easily face outwards or inwards. Martin designed the piece for the Baha Mar project in collaboration with Mike Hong the projects architect. The   concept drawings have always shown the piece with the curve pointing outwards but this is not how James Cunningham saw it.

Very tall Door Handles

There are some door pulls where it is up to the artistry of the designer or consumer to determine the best direction for a piece.

Then there are the practical aspects to consider - when a door stile is narrow while the width of the grip may fit the space it may be wiser to have the grip face away from the door jamb as this will reduce the risk of grazed knuckles that would occur if the grip direction were reversed.

Tree Door Handles - when to through bolt

The Hedgerow tree handles are made either as large scaled heavily canopied door grips or as smaller door pulls. When they were designed we had planned the larger 19” handle to function as an entry door handle and its smaller cousin as a 9” cabinet door pull.

The different functions impact how the tree is mounted as cabinet pulls are typically mounted through the back of a cabinet with a wood screw that is screwed into the back of the threaded and taped tree. Occasionally the smaller trees are surface mounted as was the case recently when they were mounted on a wall and used as decorative fixtures for curtain ties

The small tree is increasingly been used as door pull for smaller interior  doors where its scale is more appropriate or on wood framed glass doors where a lighter handle is preferred. When used as an interior door both sides of the door are seen and so 2 trees (a left and a right) are used. The 2 trees are connected with a custom bolt one end of which is welded to the tree while the other passes through the door into the back of the second tree where it is held in place by 2 discreet Allen screws (set screws)

Through mounting works equally well for larger entry door grips though for added security the welded bolt should be attached to the exterior handle thus preventing its removal by someone equipped with the necessary Allen wrench.

Yacht Door Handles in Polished Steel

The fluid design of the  Morphic door handle is increasingly being specified for yachts and oceanic projects in a  highly polished finish. The mirror like finish compliments these watery locations and as it is cast in stainless steel it has excellent rust resistant properties. The physical durability of stainless steel also makes it ideal for high traffic public areas which are the norm in the hospitality industry. We have recently completed 12 sets of our Serpentine handle for a new yacht designed by SMC a  London based group that leads the field in maritime design.

Tall Door Handle

Working closely with the projects specifiers, DEKO Ocean of  Denmark, we made necessary modifications to ensure that the handles would work for the projects 3” deep aluminum fire doors.

Coincidentally the Morphic style chosen for SMC’s project is one that owes its inspiration to marine life forms and in particular to the lace like appearance of  coral and to the tentacles of squid and octopi. Despite its oceanic origins  we named this piece “Serpentine” to more immediately convey its shape and to set it apart from other pieces in the series.

The Serpentine handle measures 31”H by 4”W ( 812mm x 100mm) and is suitable for most wood, glass and stone doors. The handle is mounted over a small concealed mounting bracket that is attached to the door. Once the bracket is firmly in place the Serpentine handle then clips over the bracket where it is held in place by Allen screws on either side of the handles tips.

Tiger Illuminated Door Handle

Tiger Design for Illuminated Door Handle latest piece from Martin Pierce

The new Tiger Illuminated Door Handle has now been released into the wild or at least that is how we sometimes feel about the internet.  We have in previous posts explained how the pattern was created with old world skills using a scroll saw and aluminum sheet to create a durable pattern for lost wax casting. We have now completed  our first stainless steel castings and using energy efficient LED strip lights have created a color changing and single color illuminated Tiger door handle.

As is the case with all of  illuminated door pulls, the Tiger panel is  directly wired  with 22 gauge fine wires that are fed through the door frame into the decorative door panel.  The power is typically delivered to the door through an electric hinge and then conveyed to the handle through a low gauge harness that comes with the fixture and is ready for connection to a class 2 power supply.  

The Tiger door pull is UL listed and is lit with a flexible weatherproof strip  and encased in stainless steel which is corrosion resistant and durable.

Tiger is the fourth  piece in our collection of  illuminated door handles which include  Fish, Coral, and Morphic themes.

Work is continuing on the Hedgerow new tree handles  but as with any new design of this size and complexity there have been quite a few challenges to resolve and as we are now incorporating LED lights and have a left and right facing handle we have had a lot to think through.

Other illuminated designs are taking shape in Martin’s sketch book so stay in touch to see these as they evolve.

How to make a simple mold for lost wax casting

Over time all things age and the longevity of a mold will depend on the composition of the mold material and frequency of use. We make a variety of  molds some require metal or fiberglass reinforcement and are not ideally suited for home use but others are possible to make at home provided you are patient and dexterous.

Our frog cabinet pulls are a popular item but we still make these by using a simple gravity pour rather than injection method to create the wax replicas for our lost wax castings.

Animal Cabinet Pulls and Knobs

The frog mold is a 2 part mold that is held together by simple peaks in one half of the mold and troughs in the other half mold that act as keys to tie the mold together. The troughs or holes are created using a drill bit or punch which is pushed into the modeling clay that holds the pattern in place. As this is a 2 part mold the skill comes in delicately building up the modeling clay up one half of the pattern without breaking of the small frog digits.

Once the frog is secure in modeling clay and all undercuts have been filled in we apply 3 or 4 coats of silicone rubber with a paint brush, we use Mold Max 30 by Smooth-on. After the silicon rubber is set we reinforce the mold with a more rigid plaster compound called Plasti Paste 11 by the same manufacturer.

Next we make the second half of the mold which will have the peaks that align with the troughs. First we spray on a mold release agent onto the female mold, we use  Ease Release 200 by Mann Technologies. We then apply more of the silicon rubber to the mold which will collect in the troughs.  We repeat the process described and once we have created a rigid case in Plasti Paste we are ready to start using our mold to create waxes. The release agent allows the 2 halves of the mold to separate, we then can remove the pattern and now we have a hollow space to receive the wax.

Useful sources

https://www.smooth-on.com/

www.moldreleases.com

Color in Nature and Hot Patinas for Door Handles

The green anole lizard was the inspirational basis of Martin Pierce’s lizard door lever. The lizard’s vivid pea green color is however a challenging finish to capture as a bronze patina and one that requires considerable dexterity and access to a blow torch, so hobbyists should proceed with caution.

While the lizard door knob is not of the anole family, as you can see from the photo below he is often specified by customers who want a similar finish to match his mate.

Lizard Door Lever and Lizard door knob

In an earlier post we described how to create an antique patina on bronze by using Birchwood Technologies' M20 product and how this chemical solution, through chemical conversion, creates a brown black patina that penetrates and bonds with the bronze. The cold patina process is a necessary first step that has to be taken before moving on to create a  hot green patina as without it, the green solution will tend to slough of the surface of the bronze. Once the blackened piece has dried it is then gently burnished to remove some of the cold patina from the lizard area. We mix white, pea green and yellow dye oxides, available through Sculpt Nouveau, to create the right shade of green which is applied several times to the handle to achieve the right hue. Throughout the hot patina process the handle is kept at a temperature of about 200° by using a blow torch.

The vivid greens are used by many creatures as camouflage that allow them to blend in with surrounding flora as is the case with this praying mantis that was wonderfully hidden in the variegated tones of this begonia vine.

How to Create Oil Rubbed Patinas for Bronze Door Handles

Our bronze door handles are offered in a variety of hot and cold patinas but the most popular c are our light and dark antique patinas. I hope to explain how we create these 2 patinas step by step using our daisy cabinet pull to demonstrate the process.

Plant Cabinet Knobs and Pulls

Over time bronze will develop its unique patina and its surface color can range from brown to black to blue or green as it reacts to the chemical properties in the local atmosphere and as the surface of the bronze begins to oxidize. With our antique finishes we try to emulate the brown and black surface tones to create a controlled aged appearance.  To do so we use a product made by Birchwood Technologies called   M20 Antique Black. Their solution, unlike pigmented stains, does not sit on the surface of the metal but rather through chemical conversion it creates a 3 to 4 micron thick patina.  However, before this process happens the bronze handle must be cleaned.

Surface Preparation

Our castings are first placed in a sealed and pressurized chamber and glass beads made from fine silica are air- sprayed into the chamber to remove  small casting burrs or rough particles.

We then remove even smaller burrs or scratches with a buffing wheel and disks, progressing as needed, from medium grit to fine grit disks. The disks we use are made by Standard Abrasives and made from a tough resin reinforced nylon fiber with aluminum oxide which acts as an abrasive element. Since the nylon web is un-woven it is more flexible and so will follow the contours of the bronze.

To remove fiber particles, dust or other surface impurities we clean the piece with an air pressure hose.

Patina by Conversion Coating

Using M20 we make our own solution using 1 part M20 and 1 part distilled water mixed in a non-reactive dipping vessel.  The piece is immersed for 30 to 60 seconds and then neutralized by immersion into another vessel of distilled water.  If,upon inspection, we see that certain areas have not reacted to the solution and are still bright we re-clean those areas and dip again.

Highlighting

As you can see from the # 3 above the chemical conversion creates a fairly uniform patina which is somewhat drab. To create greater contrast we gently and strategically burnish by hand areas with a fine nylon abrasive pad and thereby re-expose the golden tones of the bronze casting.

Sealing

To seal the bronze we use a soft cloth to apply 2 coats of oil and once dry, finish with hard wax. There are many  products to choose from but we have found Sculpt Nouveau’s  metal oil and black wax easy to work with see useful links below.

Usefullinks:

http://www.standardabrasives.com/

http://www.sculptnouveau.com/

https://www.birchwoodtechnologies.com/

Tall Door Grips - How the Design Begins

Lately, in large part at the behest of designers, we have begun to design some very grand scaled door grips for the public areas of hotels and clubs. The size and shape of a door handle does influence the handles design, with long narrow grips dictating a more compact motif and with wider panels allowing for a more expansive forms.

In short, our designs for tall door grips fall broadly into these 2 categories and we have begun by focusing first on the more restrictive long thin pulls which one typically sees on storefront and bank doors and with lengths varying from 40” to 72”. We are using 60” as our optimum design canvas and are creating decorative segments of 18” and 24” that can be repeated or interspersed with other designs or plainer sections so that we have the capability of creating custom lengths for each project.

The segmented and narrow width of our design canvas impacts the freedom, balance and logic of our design. As a starting point Martin began by looking to the utilitarian and geometric shapes of the 1920’s Art Déco period and the influence of these repetitive bold lines can be seen in the sketch below. He also used his own Hedgerow furniture designs to create an angular tree branch motif.   These sketches are at this point concept drawings and we will be refining them over the next few weeks.

New Grapevine Door Knob Added to Wine Cellar Door Handle Collection

Our grapevine door handle collection has, until now, focused on capturing the gnarly quality of vine stems and the distinctive serrated shape of their leaves, with less attention on the grapes themselves.  This focus worked well for creating long door grips and horizontal door levers but was not well suited for a door knob.  

Grapevine Door Handles

With this in mind, we began work on a new vine door knob and in our July 12th post  shared with you how Martin Pierce created detailed  perspective drawings as guidelines for his 3 dimensional wood pattern. The pattern was carved in basswood, sealed with primer and used to create a 2 piece hollow core mold. Red wax was poured into the mold and several wax replicas were made. The wax facsimiles were then coated with successive layers of fine ceramic slurry to form an outer wall and the pieces  were baked to form a rigid ceramic shell.  Once baked, the ceramic shells were  heated in a de-waxing  autoclave and steam was  pumped into the shell to remove the wax. The wax was then  filtered, cleaned  and  recycled for future use. The de-waxed shell was subsequently invested with molten bronze and after cooling, the gates that delivered the fluid metal were ground away and the bronze casting was ready to “chased” or refined by hand.

Seven weeks later and we have now machined our first castings, added the spindle and  internal springs, fitted our existing vine leaf back-plate and finished by hand our first pieces.  We hope you like this new addition to the collection.

LED Entry Door Handles - Door considerations

Our new illuminated door pulls are hard wired and not battery dependent and I was recently asked how this impacts the type of door chosen.

For some time door lock manufacturers have been making electric mortise and deadbolt locks that can be powered by low voltage wires that release either the bolt or the strike and often this is done by a remote controller.

Our illuminated door handles have the same needs and require;

Power to be supplied to the door

One of the easiest methods of supplying power to the door is through an electric door hinge.  Power coming from a low voltage class 2 power supply is delivered to the door jamb into the fixed section of the hinge. The wires then pass through the knuckle or center section of the hinge and on to the operative part of the hinge which is attached to the door itself and which pivots the door open.  Electric hinges have the advantage of concealing the wires used to power door handles and locks and most can be ordered for these low voltage applications.

Illuminated Panel Door Handles

A concealed door loop like the one by Command Access is a low profile alternative to the electric hinge and one that can be freely positioned anywhere on the jamb. While its unobtrusive design and size make it attractive you will still need a hinge to open and close the door. If you are looking for an equally discreet electric hinge you may want to consider the hinge options from Simonswerk.com who offer some very sleek concealed hinges that function in the same way as the surface mounted version but are recessed and flush with both the door jamb and door edge. These hinges will require a reasonably solid outer door edge that can be routed out for the hinge plate.

Off course the power can always be supplied  through a surface mounted conduit or metal arm which may be an option for commercial projects or areas where the reverse side of an entry door is less visible.

Hollow area for power channel

 To power the LED handle the wires from the handle will have to be routed through the door and connected to the power that is being delivered to the door jamb.  Provided the door has a hollow frame this should be relatively easy as the cables are small 22 gauge wires and can be fed through a channel in the door frame.  The top and bottom door rails for hollow metal doors will often have a separate cover that can be attached after the wire conduit has been fed through.

Impact on Door Design

In summary your door will need to have a hollow outer frame or pre-made channel designed into the construction so that cables can be fed through to the illuminated handle.  The channel can easily be incorporated into the construction design of the door and major door manufactures are already doing this so that the consumer can remotely open and lock the entry door using a remote controller to activate an electrically powered lock.

Ergonomic Hardware Adapted to Individual Needs

While there is a reasonable amount of door hardware that meets the legal requirements of the ADA it is often challenging to find artistic door handles that satisfy both the artistic and physical needs of any one client and their designer.

The Ergo collection derives its name from the adjective “ergonomic” being a design that is optimized for easy use in the workplace and when it was created, Martin Pierce developed a left and right knob and lever design with suitable cut outs and indentations that could be easily gripped by a left handed or right handed person. The style has evolved over time with modifications being made to slim down the lever for more universal comfort.

Though the Ergo series is ergonomic, not all pieces are ADA suitable. As we grow older our physical needs and challenges multiply but not in a homogeneous way so a generic approach to making hardware ADA compliant is no guarantee that the adapted hardware will work for all. Enter a skilled and sensitive designer versatile in specifying custom door hardware like Lambrino Christoff of Barton G Design. With Lambrino’ s input we recently re-designed our Ergo epic cabinet pull by scooping out the back to make a hollow that could easily be gripped using ones index and middle finger. See the image below showing the evolution of this piece, the middle picture shows the custom piece and the top and bottom pictures show the first and most recent cabinet pull in this collection.

Modern Cabinet Knobs and Pulls

For other designers we have modified our Ergo cabinet pull making the mounting posts taller thereby creating more space between the cabinet face and underside of the pull that can be gripped by several fingers together.

Why our LED Door Handles are Suitable for Restaurants and Hotels

I was recently asked a seemingly simple question but on closer inspection realized that the answer deserved a better account of why our recently launched  illuminated door handles are appropriate for outdoor areas in hotels and restaurants.

Metal of the LED fixture
Not all metals are created equal but the premium metals of 304 and 316 stainless steel as well as silicone bronze all have good corrosion resistance and are not prone to rust when exposed to wet weather. The silicon bronze is typically oil finished so while it will not rust it will develop its own unique patina over time as it is a living finish.

Type of LED’s
Not all LED’s are suited to outdoor use. In our cylindrical pull we use a completely encased LED spot but for our Coral and Fish handles we use an LED strip that is wrapped in a silicone sheath to make it weatherproof.

Iluminated Door Handles

Diffuser that doubles as a weather protector
Our fixtures all have an open area in the design through which the light passes but to diffuse the light and to eliminate any shadow created by the LED we add an acrylic diffuser that sits behind the face of the luminaire thereby creating a weather and insect barrier.

Weep hole
All of our luminaires come with a "weep" hole to allow the escape of water if it manages to get into the fixture.

Wiring
The wires that power our fixture pass through a concealed channel inside the door frame and then through an enclosed mounting bracket into the fixture and at the other end they pass through an electric hinge that is connected to the door jam and door channel ensuring thereby that the wires are not exposed to weather.

Leaf Designs in Door Hardware

The creative process is as unique and unfathomable as the brain it resides in. When I have listened to authors and composers answering the question of where and how they get their inspiration there appears to be a myriad of sources.  The same holds true when it comes to designing door hardware  and  Martin Pierce’s designs reflect the eclectic nature of his source material ranging from oceanic shapes to tree bark and bird wings to name just a few.

As a result,  Martin always has a sketch book on hand to doodle in his designs as they occur to him but a large number of his designs also come  from a more structured and practical need either to  develop additional pieces for a popular collection or to meet a designer’s need for a specific project.

See Castings of the Willow Design shown on the left

 Not all of the designs make it off the drawing board and indeed I would hazard a guess that less than 10% make the leap.  When designing a new piece there can be as many as 4 or more alternatives that materialize on paper and if the project is commissioned by a designer then alternative concepts can be useful in hammering out practical site issues or scale questions.

We keep all of these sketches as source material for future designs and this is how I came across some of the leaf designs shown here. The Willow door pull came from a need to create a flush pull and resulted in 3 designs one of which is currently in used in Willow collection.

The leaf hinge design is still in the design stage where it will remain until we have sufficient hinge designs to complement our other collections.

The Vine collection is a popular series and the new leaf and grape design shown here is already taking shape as a sculpted wooden pattern.

Arts and Crafts Movement Inspiration for Door Hardware

One of our earliest introductions to the American arts and crafts movement came when we discovered the Gamble House in Pasadena. This gem is a perfect example of the craftsmanship and artistry that is the name sake of this organic architectural style. When we arrived in Los Angeles we started out as a small furniture company that specialized in hand carved pieces so it is not surprising  that we were awestruck by the design brilliance of the Green and Green brothers who were commissioned by the Gambles to design their home.  The Gamble house offers a wonderful insight into households living in a less technological world and one where construction techniques were integral to whole aesthetic of the house. When constructing the walnut stair hand rail and cabinets the carpenters used peg joints rather than mortise joints which gave the joint strength but also added a decorative contrast. The carpenter would hand drill a round hole into the walnut and then using a square walnut  peg  he would hammer this into the hole to create a strong and contrasting joint.

While we had a fleeting introduction to the Arts and Crafts style in England this had been limited to viewing exhibitions of William Morris’s textile and wallpaper designs where entwining acanthus leaves and brambles were common subjects. Together these movements have channeled some of our cabinet pulls as can be seen in our Hedgerow drawer knobs. The patterns for these pieces were carved in wax by Martin Pierce and after molds had been formed these designs were rendered in bronze using the lost wax method of casting.

One of our earliest introductions to the American arts and crafts movement came when we discovered the Gamble House in Pasadena. This gem is a perfect example of the craftsmanship and artistry that is the name sake of this organic architectural style. When we arrived in Los Angeles we started out as a small furniture company that specialized in hand carved pieces so it is not surprising  that we were awestruck by the design brilliance of the Green and Green brothers who were commissioned by the Gambles to design their home.  The Gamble house offers a wonderful insight into households living in a less technological world and one where construction techniques were integral to whole aesthetic of the house. When constructing the walnut stair hand rail and cabinets the carpenters used peg joints rather than mortise joints which gave the joint strength but also added a decorative contrast. The carpenter would hand drill a round hole into the walnut and then using a square walnut  peg  he would hammer this into the hole to create a strong and contrasting joint.

Tree Cabinet Knobs

While we had a fleeting introduction to the Arts and Crafts style in England this had been limited to viewing exhibitions of William Morris’s textile and wallpaper designs where entwining acanthus leaves and brambles were common subjects. Together these movements have channeled some of our cabinet pulls as can be seen in our Hedgerow drawer knobs. The patterns for these pieces were carved in wax by Martin Pierce and after molds had been formed these designs were rendered in bronze using the lost wax method of casting.

Paso Robles A Destination Place for Wine Enthusiasts

As spring drifts to summer so we drifted north 350 miles to the still green countryside of Paso Robles.  We have been re-charging our culinary and artistic batteries in this delightful countryside for 15 years and have seen it change from an agricultural community to an  acclaimed wine making hub.

While some may debate the merits of such intense viticulture and the orderly tidiness that now characterizes much of the scenery, few would contest that the region is home to some of the best wineries in the state.

As the wineries have grown so has the breadth of wines now grown with the historical Zinfandel now co-existing with Syrah’s, Grenaches and Tempranillo varietals. As a white wine imbiber who shuns chardonnays I have been thrilled to see that Sauvignon Blanc and Viogniers  are gaining audience awareness and acceptance even amongst those who are fond of their oaky siblings.

However what I had not realized until this visit was how the wineries have now sought to attract customer by serving gourmet meals often locally sourced. The case in point was to be found on Vineyard (aptly named road in the Adelaida district) when we stumbled upon Opolo Winery in search of lunch and for a very modest sum feasted on roast lamb tacos served with tomatillo and red salsa and corn tortillas. The roasted meats all paired wonderfully and surprisingly with their Albarino white wine which was full bodied with slightly sweet citrus tones. The view from the wineries hilltop marquis was also stunning and the breeze it offered was a welcome relief for what proved to be one of the hottest Sundays this year.

Grapevine Door Handles

If you are planning a trip to Paso Robles you may  help navigating your way through the200 wineries it now boasts but  help is on hand courtesy of www.pasorobleswineries.net where you can download a complimentary map.

Classical Door Hardware Now Trending

Lately we have been focusing on LED technology which has made it possible to introduce color changing lights into our new panel and cylindrical door handles.

With all the hype afforded LED luminaires it is easy to lose sight of the importance of classical door hardware. Lately more designers have been specifying our Willow and Grapevine styles of door hardware which are more classical in style and which take on a distinctive traditional elegance when cast in solid bronze.

Willow Door Handles

This recent trend prompted a Google search into the meaning of “classical” and I found the results enlightening. The word comes from the Latin “classicus” as in class or group and has over time become synonymous with words that include; pure, restrained, harmonious, elegant and balanced.

In England the word classical is also used to suggest rank or superiority and can be used to mean that something is “outstanding of its kind” or “exemplary” as in the phrase a “classical piece of Wedgwood China” or “a classical Victorian romance novel”

The more I searched the more I discovered the breadth of this word which can be used to indicate a significant period of an area of study, such as in classical mechanics or as in the case of classical physics, to denote theories that preceded Newton’s theories of relativity and quantum mechanics.

While I had an intuitive understanding of this adjective, the Google search has brought me full circle and made me hopeful that in the future this adjective may be used by some to describe our new LED luminaires.

Moths and Butterflies- It is the Season for Insect Cabinet Knobs

We have this year enjoyed a refreshingly wet winter here in LA and as a result have an abundance of flowering trees and foliage so it should come as no surprise that we have a large insect population. While we may not enjoy the large mosquito population the moths and butterflies are a breathtaking delight. Attracted by white light, we usually glimpse hawk moths hanging on our patio wall but this year we are finding them in the house on closets, on shutters and in the bathroom.

Animal and Insect Cabinet Knobs and Pulls

We had a preview of what we could expect by insect life when the long legged ganglycrane flies started arriving. The sheer number of crane flies, which are often mistaken for gigantic mosquitoes, was so large that it has almost cured my phobia of this marginally attractive insect. However, when it comes to moths and butterflies their sheer beauty is undeniable and their shape and color have always been a source of inspiration for Martin. 

While bronze can be colored by applying ferrous nitrate to a heated area to make a yellow amber patina or by applying copper nitrate for blue tone these patinas cannot begin to replicate the complex patterns that moths display in nature. So when portraying moths and butterflies in bronze, Martin has focused on the elegant and dramatic shapes of their wings and bodies and the natural gripping points that occur where the wings join the thorax.

Contemporary Door Handle Meets Art Nouveau source

We have added a new video to our video gallery and now have 2 videos that show the full range of door handles that use tree motifs. The latest video is short but still manages to show the three dimensional nature of this iconic handle which is shown in brushed stainless steel and as a handle set, with one left and one right tree.

The video shows the fluid nature of this sculpture and the close up shots focus on the depth of the details in the leaf, root and canopy areas of the tree design. By panning across the tree trunks and up the profile of the canopy our video director, Jeff Jenkins, has been able to capture the shadows cast by the leaf canopy. The video was shot very simply using mainly natural light and this in conjunction with the dark ash doors gives the video an old moody black and white quality.  The mood of the video is in contrast to the medium of stainless steel which it often pegged for more contemporary settings.  By shooting the video this way, Jeff Jenkins shows us how thin the line is between the older rich and colorful style of Art Nouveau and the current trend towards monochromatic linear designs. 

See Collection

While the Hedgerow tree is shot in stainless steel, for those preferring the warmer tones of bronze, fear not, as this piece will always be available in the timeless medium of bronze.

All of our work is designed and made in Los Angeles and can be seen by prior appointment at our studio.

Unique Door Handles in Steel - A New Spin on Hedgerow

We have been focusing on re-vamping our website and in doing so have been developing new pieces, new videos and new finishes for some of our signature pieces. The Hedgerow door pull is perhaps our most well known and iconic piece that represents our love of trees and natural forms. As you may know the new Hedgerow illuminated tree is an ongoing work that is expected to be completed by years end but since that is months away we thought it was time to revisit the Hedgerow collection and so are now casting select pieces in steel. The cooler tones of stainless steel play well in a modern setting and work for both residential and commercial projects. While this Hedgerow tree is not part of our collection of luminaires it can be lit by directional accent lights to create a dramatic statement.

Tree Door Handle A Signature Piece in the Hedgerow Collection

The 3 dimensional nature of this piece and the detailed sculptural tree canopy are very difficult to capture in a flat 2 dimensional photo so we will be releasing a short video soon which will more adequately capture the depth and scale of this steel tree.

By casting select Hedgerow pieces in steel, a rust resistant medium, we hope that these nature inspired pieces may take root in coastal locations!

The Hedgerow tree and 5 other signature pieces are also making their way to our new banner gallery that can be viewed on our website.

All of our work is made here in Los Angeles using the lost wax method of casting and each piece is finished by hand to create a truly unique piece.

Unique Handles - How Form Follows Nature

Like many others we have just visited Borrego Springs to see the flowering cacti season which is now nearing it’s end for spectacular blooms. The red ocotillo are still to be seen with their spiky protrusions guarding their bright tubular flowers and some of the yellow brittlebrush were also in bloom but as we discovered there is more to the desert than colorful flowers.

Morphic Cabinet Handles

When hiking through the sandy gravel terrain over hills and into dry stream beds what was equally beautiful to see were the dried mummified remains of the jumping cholla and the wreath like roots of the dying ocotillo plants. The jumping cholla bears an incredibly strong textural similarity to our Morphic door hardware and you would be forgiven for suspecting that Martin used this as his inspiration for this series. In truth the Morphic collection was consciously  inspired by ocean coral but Martin Pierce is quick to admit that a stray image of the cholla plant may well have been lingering in the depths of his subconscious. In any event Anza Borrego springs is an inspirational haven for all and well worth a visit.

The area is dramatic and arid and at this time of year still not too hot to hike in during the early morning and evening hours. Borrego Springs can also be extremely windy and this helps keep the air clean and makes the night sky perfect for star gazing.